Johannes Brahms stands as one of the central-most figures of late 19th century German art music. Brahms was the first true successor to Beethoven in the symphonic tradition, and according to Bozarth, “creatively synthesized the practices of three centuries with folk and dance idioms and with the language of mid- and late 19th-century art music.”1 Some would consider Brahms’s orchestral output to be his most important contribution, and many volumes have been devoted to cataloguing the significant melodic, harmonic, and formal features of his four symphonies. Fewer have been devoted either to the early orchestral works or to the rhythmic and metric techniques employed. 


Jordan Randall Smith is the Music Director of Symphony Number One.