Conductor's Notebook
Writings, including academic papers and music criticism, as well as videos, audio, notes, and other content.
Viewing entries in
Listicle
I have always appreciated Kyle Gann’s website for its resources for Florence Price’s Symphony No. 3. Recently, I took time to investigate some of the other resources he freely provides, including his own compositions, as well as links to his many books and albums. Among the resources on the site is a terrific “Chronology of the Symphony: 1730-2019,” listing years and major symphonies composed and/or premiered that year.
I offer several routes to avoid the pitfalls of over-reliance on publishers or prior training for a fair survey of available literature by non-male and/or BIPOC composers, among others. I identify five types of “hidden literature” - or literature that many public school directors and youth orchestra conductors may not have at their fingertips:
Unpublished and/or self-published music.
Published music that is not adopted by any or almost any state music list.
…
In every bar of his astonishing music, you’ll find energy and vitality and craftsmanship and deeply enjoyable music.
The music world has been tying itself in knots over Ludwig van Beethoven recently. In the year of his 250th birthday, some are calling for a boycott of organizations that perform his music. Others are offering a counter-reformation of sorts, with hashtags and memes in defense of the celebration. Here are eight winning ideas and two counterproductive ideas to consider.
In a year packed with highs, lows, and plenty of news, here’s a look back on some highlights, both worldwide and personal.
65 years after her death, one of the twentieth century’s most important voices has finally begun to receive the attention she so richly deserves. Florence Beatrice Price, born in Little Rock, Arkansas in 1887, was the first African-American woman to have a composition performed in concert by a major American orchestra.
