Conductor's Notebook
Writings, including academic papers and music criticism, as well as videos, audio, notes, and other content.
Viewing entries tagged
Institute for Composer Diversity
I offer several routes to avoid the pitfalls of over-reliance on publishers or prior training for a fair survey of available literature by non-male and/or BIPOC composers, among others. I identify five types of “hidden literature” - or literature that many public school directors and youth orchestra conductors may not have at their fingertips:
Unpublished and/or self-published music.
Published music that is not adopted by any or almost any state music list.
…
…a particularly pernicious pattern of argumentation that I want to identify, debate, and debunk. It is the argument that consciously selecting music with the aim of increasing equity, inclusion, and diversity in classical music makes it less likely that the performer will program “the best music,” the music of highest artistic integrity, because they are now selecting for an arbitrary trait rather than solely based on the musical merits.
Here’s what’s wrong with that:
