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Interview: Podium Time (Part 1)

Interview: Podium Time (Part 1)

….we talk about the foundational structure of Symphony Number One. In particular we talk about attempting to forge a model of what a 21st century chamber orchestra should become: more focused on contemporary music than they currently are. Further, we talk about how a season program is something of a moral document: it says something about your priorities as a conductor. The phrase “a budget is a moral document” is often used in the context of politics. How a person or an organization spends its money speaks to what it cares about. And what is a season program, after all, if not a musical budget? I used Symphony Number One’s September concert with the music of Schoenberg and James Lee III as an example of our programming model:

Interview: Performance, Forgiveness, and the Art of Self-Care

Interview: Performance, Forgiveness, and the Art of Self-Care

…It is critical that we take care of ourselves and allow ourselves to be pleased with imperfect performances; after all, there is no such thing as a perfect performance! The goal is to strive for perfection, to get as close as we can, and then share the perfectly imperfect result with our fellow-travelers. In so doing, we learn a valuable lesson in self-forgiveness and self-care which is crucial to longevity in the music career…

Jordan Randall Smith is the Music Director of Symphony Number One.