A new season of music is upon us! And with a new season, a tall stack of new scores to learn. I have compiled a number of works that will be performed by the various groups I lead. In addition, I’ve added a few all-time favorites and other interesting tracks.
In October 2017, I had the privilege of giving a TED Talk and leading Symphony Number One in a performance at TEDxMidAtlantic 2017 in Washington, DC. My talk was titled Classical Music is Boring. (Turns out, there's more to "boring" than meets the eye!)
This most recent holiday season was a particularly joyful period of celebration. Here is a look at five musical moments from this past November and December:
I think one of the reasons I find this so appealing is that I didn’t initially discover Bruckner through his symphonies. My initial vector was through singing his motets in college. So, I think I never formed my mental Bruckner totem around his orchestrations but rather around his harmonic language, expressed in a capella choral music, as a tool to focus on reverence for The Divine, for The Higher Ideals, and for Our Better Nature. In a word, God.
But there was one person who indefatigably stuck by me at this juncture, at the hour of greatest need. This was the same guy who was the very first to write me to express interest in getting the project going in the first place, all the way back in August 2014. In March 2015 at that coffee meeting, I had to ask him, in the midst of what had become a chaotic environment, where he stood. He told me, "I'm still in. At this point, I feel a moral commitment to help get this thing off the ground." And get it off the ground, we did....
I recently began contributing to Baltimore Magazine. Here's my first piece:
Wendel Patrick, “Let’s Ride”
The holidays get me thinking about sleigh rides, which, while they weren’t the inspiration for this track, still make me think of “Let’s Ride.” The vintage keyboard sounds alongside spicy drumbeats and clean electric guitars make this a perfect fit for our off-the-beaten-path sleigh ride. When you’re finished, check out some of Patrick’s other projects and collaborations, like the Baltimore Boom Bap Society and Bond St. District.
In May of 2015 I lead Symphony Number One in our debut concert in Baltimore. Here's an audio essay I posted ahead of our launch:
We think we can better serve the composers we feature by focusing on just one emerging composer at a time rather than lumping all of them together onto one concert. Even trained musicians can get overwhelmed by a multitude of new compositional voices presented on one concert; how can we expect our audience to do any better? When this happens, your memories start to get flattened and you tend to only remember features like special effects, strange instruments, or other novelties, rather than to deeper musical layers.